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Mandle Cheung’s direction of the TSO affirmed the ideals of Gustav Mahler’s Symphony No. 2

(6 months ago)
Leslie Barcza
Culture

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TL;DR: Key points with love ❤️

Tech entrepreneur Mandle Cheung, 77, conducted the Toronto Symphony Orchestra (TSO) in Gustav Mahler’s Symphony No. 2 at Roy Thomson Hall to a full house. Cheung paid an undisclosed fee for the privilege, leading the TSO, soloists, and Amadeus Choir. Despite initial rumors of dissent among musicians, the performance was well-received, with the orchestra playing brilliantly, affirming themes of unconditional acceptance.

  1. 1 1888-1894: Mahler struggled to complete Symphony No. 2.
  2. 2 1895: Mahler's Symphony No. 2 completed.
  3. 3 1988: Gilbert Kaplan recorded the symphony with the London Symphony Orchestra.
  4. 4 Wednesday (current week): Mandle Cheung conducted the TSO in Mahler's Symphony No. 2.
  • Successful performance
  • Positive reception from audience
  • Affirmation of Mahler's ideals
  • Some musicians initially had reservations but performed professionally
What: Mandle Cheung, a tech entrepreneur and amateur conductor, led the Toronto Symphony Orchestra in a performance of Gustav Mahler’s Symphony No. 2.
When: Wednesday (current week).
Where: Roy Thomson Hall, Toronto.
Why: Cheung, a successful tech entrepreneur, paid for the opportunity to conduct the TSO, fulfilling a dream and affirming the symphony's themes of acceptance.
How: Cheung conducted the 85-minute piece, leading the orchestra, soloists, and choir. He observed Mahler's requested five-minute pause. The orchestra played brilliantly, sometimes seeming to take over, but the performance was a success.

Tech entrepreneur Mandle Cheung, 77, conducted the Toronto Symphony Orchestra (TSO) in Gustav Mahler’s Symphony No. 2 at Roy Thomson Hall to a full house. Cheung paid an undisclosed fee for the privilege, leading the TSO, soloists, and Amadeus Choir. Despite initial rumors of dissent among musicians, the performance was well-received, with the orchestra playing brilliantly, affirming themes of unconditional acceptance.