A review of Jenny Saville's retrospective exhibition, 'The Anatomy of Painting,' at the National Portrait Gallery in London. The review highlights the contrast between her powerful, often disturbing, colossal paintings of the human body and face, and her exquisite, tender drawings, noting her unique approach to figurative art.
Portraits so powerful they override reality – Jenny Saville: The Anatomy of Painting review
Jenny SavilleArt and designCultureExhibitionsPainting
AI Summary
TL;DR: Key points with love ❤️A review of Jenny Saville's retrospective exhibition, 'The Anatomy of Painting,' at the National Portrait Gallery in London. The review highlights the contrast between her powerful, often disturbing, colossal paintings of the human body and face, and her exquisite, tender drawings, noting her unique approach to figurative art.
- 1 Early 1990s: Jenny Saville first compared to Lucian Freud.
- 2 2009: 'Witness' painting created.
- 3 Unspecified: Jenny Saville's retrospective exhibition 'The Anatomy of Painting' is held.
- Exhibition provides a comprehensive view of Saville's artistic evolution
- Challenges viewers' perceptions of the human form and pain
- Evokes strong emotional and psychological responses
What: A review of Jenny Saville's art exhibition, 'The Anatomy of Painting,' at the National Portrait Gallery. The review discusses her distinctive artistic style, contrasting her large-scale, often disturbing paintings with her tender, precise drawings.
When: Published 2025-06-18.
Where: National Portrait Gallery, London.
Why: To critically evaluate and describe Jenny Saville's art exhibition, providing insights into her techniques, themes, and the emotional impact of her work on viewers.
How: The reviewer describes specific artworks like 'Neck Study II,' 'Witness,' and 'Rosetta II,' analyzes Saville's use of scale and detail, and compares her work to that of other renowned artists such as Degas, Freud, Leonardo da Vinci, and Michelangelo.